这部电影🎬题目翻译方法有两种。通译(tōng yì)（包括英文）是“圣地亚哥在下雨”，另一种(yī zhǒng)翻法是“圣地亚哥的风暴”，涉及历史事件(shì jiàn)是智利民选总统萨尔瓦多·阿连德被后来智利(zhì lì)军政府头子皮诺切克杀害，由此，詹明信意义(yì yì)上的六十年代终结了。

这部电影🎬音乐(yīn yuè)是由阿根廷探戈大师阿斯特·皮亚佐拉(zuǒ lā)创作的。BT上有个皮亚佐拉电影🎬(diàn yǐng)配乐的全集，包括索拉纳斯的《Sur》在内(zài nèi)，4.7G，大半是flac文件，感兴趣的朋友可以去(qù)找找。用google关键词"Il pleut sur Santiago Astor Piazzolla"即可。

本片出品国家(guó jiā)是法国和保加利亚，看到片尾字幕工作人员(gōng zuò rén yuán)里“XX夫（-v）”一大群。片子主要讲法语，仅(jǐn)部分阿连德的讲话是原版西班牙语录音(lù yīn)。显然不是实拍也不会是实拍。法国(fǎ guó)驻智利的记者占据了一个重要(zhòng yào)视点。查了一下导演Helvio Soto的资料，英文(yīng wén)的很少，imdb提供资料如下：

Date of Birth:21 February 1930, Santiago, Chile（February 21）
Date of Death:29 November 2001, Santiago, Chile（November 29）

（日期根据 http://www.cinenacional.com/personas/index.php?persona=27233 ）

google一番(yī fān)未果，再从google图片搜索，结果连到(dào)两个比较有用的网页：

http://www.emol.com/noticias/magazine/detalle/detallenoticias.asp?idnoticia=289101

http://www.quepasa.cl/medio/articulo/imprimir/0,0,3255_5700_175170315,00.html

都是西班牙文(xī bān yá wén)网页。经过google翻译器，大概知道的信息如下(rú xià)：

1、Helvio Soto一度流亡法国。

2、2001年死于肺癌。

3、1969年(nián)拍过一个貌似很牛🐮的关于(guān yú)太平洋战争的片子《Caliche sangriento》（Bloody Nitrate，姑且译作“血🩸腥硝石矿(kuàng)”，“was a critical look at the conflict between Chile, Peru and Bolivia.”目前一批专家正在修复这个片子。最近(zuì jìn)Helvio Soto被智利重新关注也来自这个片子(piān zi)。

后来又搜到一个网页（还是通过google图片(tú piàn)）：

http://www.festivalcinenorte.cl/main.html?src=/14529.html%3F*session*id*key*%3D*session*id*val*
（导演Soto）

有一段关于Helvio Soto的介绍：（google翻译后(hòu)的）

The lawyer Helvio Soto (1930-2001) is considered one of the most important film directors of our country, stressing, especially in the period of so-called Nuevo Cine Chileno. After working as an assistant in Argentina and radio stations of Ecuador, returns to Chile at a time when the cinema was experiencing significant growth.

His first film was "I had a comrade," who performed with the support of the Experimental Theater at the University of Chile in 1964. After his early short films, Helvio Soto made "Monday, 1 Sunday 7," feature film, with photographs of Ferdinand Bellet. After filming "Bloody Caliche," which was censored by the government of Eduardo Frei Montalva to pressure from the military.

When launching the government of Salvador Allende in 1970, Helvio Soto assumed administrative duties at National Television, exercising his parallel job as director of several television series. In 1971 he performed his next feature film "Voto more rifle," a critical eye on the history of Chile, which was received on an irregular basis. Later films "Metamorphosis of the head of the political police," which fails to be exhibited in Chile because of the coup d'état, however, as presented in Europe. His filmography continues with "It's raining on Santiago," his first film 'European', which portrays the days of the coup d'état, torture, abductions and disappearances, was acclaimed in Europe, Asia and North America, but banned by the Chilean dictatorship.

Helvio Soto lives in exile and returned to Chile but not until the nineties, where he begins a teaching career, which trains new generations of filmmakers, giving them a perspective of cinema as an artistic expression committed more than a purely commercial activity. He died on November 29, 2001 to 71 years.

如此说来，还有“智利电影🎬新浪潮”（El Nuevo Cine Chileno）这个东西(dōng xī)存在啊……
根据这段材料，Helvio Soto在阿连德(ā lián dé)时期管理智利国家电视📺台，同时导演了(le)几部电视📺剧（根据imdb材料，仅有"Loco estero, El" (1968) TV series (1968) 一部，大约(dà yuē)两者必有一个有误）。1973年的电影🎬被(bèi)军政府禁映。流亡欧洲之后拍摄了著名(zhù míng)的《圣地亚哥在下雨》，在欧洲、亚洲、北美(běi měi)轰动（看到Imdb的一个影评说北美某次(mǒu cì)放映之后全体起立鼓掌5分钟），同样必然(bì rán)被禁映……

又搜索了一下“智利电影🎬(diàn yǐng)新浪潮”，有个关于智利电影🎬史的网页：
http://www.memoriachilena.cl/temas/dest.asp?id=cinech50nuevo
另外(lìng wài)则是终于找到了一个靠谱(pǔ)的网页：
http://es.cinechile.wikia.com/wiki/Helvio_Soto
在这个网页上没有比(bǐ)上面贴出来的那段英文更多的(de)信息了……于是搜索的奥义就是——在(zài)这个地方： www.google.cl ，嗯……这次的关键词是“Helvio Soto Filmografía”，不(bù)懂西班牙语的人便只好靠google了(le)呀……
然后找到了更多的信息(xìn xī)，是这个网页：
http://eljineteinsomne.blogspot.com/2008/08/una-entrevista-helvio-soto-andrs.html
（可以看这个地址： http://translate.google.cn/translate?u=http%3A%2F%2Feljineteinsomne.blogspot.com%2F2008%2F08%2Funa-entrevista-helvio-soto-andrs.html&hl=zh-CN&ie=UTF-8&sl=es&tl=en ，是(shì)翻译成英文的）
非常靠谱，是Soto在(zài)准备《圣地亚哥在下雨》时的一篇访谈(fǎng tán)，摘生平如下：
Helvio Soto: "The films that excite me are those that reveal a real concern for others"
Helvio Soto (1930 - 2001) is considered one of the most important film directors in Chile. Extended the studies of law and director of actors, and published the novels "Something like that" (1957), "The Pit" (1960), "Week after week" (1967) and the political essay "Revolution is freedom" (1963 ), Noted as a filmmaker before, especially in the period of so-called Nuevo Cine Chileno, with his sharp political content of films. His filmography includes "Monday 1, Sunday 7" (1968), "Caliche bloody" (1969), "Voto more gun" (1971), "Metamorphosis of the Chief of Police Politics" (1973), "It's raining on Santiago "(1975)," The triple death of the third character "(1980) and" Americonga "(1984). After his return from exile imposed by the criminal military dictatorship, Soto was devoted to teaching at the University of the Arts and Communication Sciences, forming new generations of filmmakers from the perspective of cinema as art rather than as a compromised activity purely commercial. In early 1974, when they began to prepare his film about the military coup, was interviewed by Argentine journalist Alfredo Andres (1934), Friend of the journal "Filming and Watch", in which 4 (Buenos Aires, January 1974 ) Appeared the note.

Soto的电影🎬理念据说受到(shòu dào)了意大利新现实主义和苏联社会主义现实主义(xiàn shí zhǔ yì)的影响。这个网页告诉我们，他也(yě)出版过小说，发表过政论文章，拍(pāi)的电影🎬也被认为是政治电影🎬(diàn yǐng)。OK，差不多了……阿连德的困境跟卡斯特罗的(de)困境很相似，卡斯特罗还送了阿连德(ā lián dé)一把枪……不同的是古巴成功了(le)而智利失败了。格瓦拉说得对。

最后说(shuō)两句关于这部电影🎬的吧。当然，最上(zuì shàng)等的是皮亚佐拉的音乐，电影🎬(diàn yǐng)里音乐倒用的很节制，没怎么(zěn me)煽情。有三个段落很精彩，一个是(shì)阿连德和总统府剩下的18个人逐一战死(zhàn sǐ)的时候（虽然各种穿帮，比如人倒下(dǎo xià)了衣服上连弹孔都没有），升格(shēng gé)镜头剪得很华丽，颇有吴宇森的(de)范儿（当然我确定他那个时候还(hái)没有吴宇森），最上等的处理在于只有(zhǐ yǒu)音乐而没有现场声。其二是体育馆(tǐ yù guǎn)里军政府处理闹事学生🧑‍🎓的大场面(chǎng miàn)，作为一个段落很饱满。然后便是结尾(jié wěi)，给聂鲁达送葬（国葬？）的场面。不过就(jiù)影片而言，试图用全景式的手法来写(xiě)，结果各说各的，不算成功，毕竟影片(yǐng piàn)政治立场在前，而且Soto的选择是直接(zhí jiē)处理。另外则是对阿连德总统的(de)处理，“扮演”阿连德的演员，除了战死的(de)一场戏几乎没有正面镜头，我数了(le)一下仅两三个，多是在画面的(de)前景处露一个背影，或者是虚焦(jiāo)处理。基本没有台词，几次著名的讲话(jiǎng huà)也是用录音。当然，在Soto的心里(xīn lǐ)，阿连德是“不能被扮演”的。这部影片(yǐng piàn)的价值在于直面的勇气和当然(dāng rán)的左派立场。最有趣的一点是(shì)，皮诺切特政变的日期是——73年9月11日(rì)。911短片集里，Ken Loach正是用这一事件来(lái)形成与911的互文。似乎是因果报应，但(dàn)实际情况并非如此，智利政变是新自由主义(zì yóu zhǔ yì)的胜利，是智利的悲剧，而911却是(què shì)“人类”的灾难，是恐怖分子“反人类”的(de)行为。如此我们还能说什么呢(ne)。

漫长的六十年代，在圣地亚哥的“大雨”中(zhōng)结束了。电影🎬里面，那个清晨广播里(lǐ)的“圣地亚哥在下雨”是一个邀请听众(tīng zhòng)参与的谜语，却变成了一个令人(lìng rén)毛骨悚然的谶语。这么多年过去了，那些(nà xiē)人物早以风流云散，世界🌍却还是格瓦拉(gé wǎ lā)所言的帝国主义统治世界🌍，甚至比那个(nà ge)时候更残酷。Soto的悲愤仍然那么的(de)令人难过。

http://www.mtime.com/my/yinxiang/blog/1544359/